I am the Lord your God, 1843,  Artist Unknown,  Ink on paper, Courtesy of Shaker Museum | Mount Lebanon, Old Chatham and New Lebanon, New York 

The Shakers, more formally known as the United Society of Believers in Christ’s Second Coming, formed celibate communities, where they worked hard and lived simply, distrusting earthly pleasures. Shaker gift drawings come from a period of about two decades, beginning in 1837 and extending into the 1850s, when Shakers living in Watervliet, NY and New Lebanon, NY experienced a series of revelations. This period, called Mother Ann’s Work, was a time of prophecies, healing hands, and ecstatic experiences. Shakers believed they were receiving messages from the sect’s deceased founder, Mother Ann Lee. Described as “gifts of the spirit,” these revelations were given to individuals who transcribed the celestial communications from Mother Ann, and translated their visions into art.

Shaker gift drawings are not about the geography of the universe as a whole; instead, the art made during Mother Ann’s Work was thought to provide glimpses into the anticipated after-life in Heaven. Some drawings are representational, with trees being a favorite motif, whereas other images are more abstract, combining letters, numbers, emblems, and shapes. They exhibit a calligraphic precision, and some contain indecipherable scripts, inscribing the gift of tongues. Typically, the art is highly symmetrical, as Heaven was believed to be perfectly ordered, which is why the Shaker’s own dwellings were crafted with clean lines and uncomplicated shapes. Most works are unsigned, yet each drawing testifies to the vibrant inner life of the Shakers, pulsing just below the plain surface of their simple living.

Gregory Spinner



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